Already hard-wired in place from 40 stage inputs to FOH; to recording studio; and to monitor stage mix.
40 Outputs (XLR male) available on front of splitter modules for additional routing (remote truck, additional monitors, FOH, etc.)
Optional Consoles
(1) Yamaha M7CL
(1) Behringer X32
FOH Aux Rack
1 - ClearCom RM-440 intercom module
2 - 48 point patch bays
1 - Local Tie Bay (for patching outboard gear)
Control Room Rack
3 - ADC patch bays (mic routing)
1 - Clearcom R220 intercom module
Mains Power & Speakers
8 dB Technologies T12 line array (4 per side)
4 dB Technologies T8 line array (2 per side)
4 dB Technologies S30N dual 18” subs (2 per side)
3 dB Technologies K5 line array (front fills)
System is processed via RD Net 8
2 One ton CM single phase motor hoists
On Stage Monitor Mixing System
10 Stage Mixes – Bi-amped
10 – Clair Bros. Wedge A floor monitors
3 – SR4704 JBL 15” and 2” Horn
2 – JBL AS 2225 2-15” and 2” Horn sidefills
11 – Crown Macro 24 x 6 (10 mix and 1 cue)
1 – Crown MA 600 (SF High)
1 – Crown MA 5000VZ (SF Low)
Wired Mics
1 – Shure Beta 56
2 – Shure Beta 52
6 – Shure Beta 58
6 – Shure SM 57
3 – Sennheiser 421
2 – Sennheiser 540
2 – Beyer 201
2 – AKG 460
3 – Crown PCC160
6 – Countryman Type 85 Active Direct Boxes
1 – Sony ECM44B Lavalier Mic
12 – Atlas MS12C Chrome Stands
8 – Atlas MS-7 Short Chrome Stands
6 – AKG KM201A/2 Black Tripod Stands
12 – AKG KM211/1 Black Boom Arms
Wireless Mics
19 – Shure QLXD4 Wireless Receivers
12 – Handhelds Shure Beta 58’s
12 – Shure QLX Body Pack Transmitters (For instruments, or lav mics)
HOUSE INTERCOM SYSTEM
Clear-Com with 2 tech and 2 house channels available.
RIGGING SYSTEM
See separate rigging system description.
COMPANY SWITCHES
(1) 400 Amp Company Switch
(2) 200 Amp Company Switch
LOADING DOCK
The facility’s loading dock is located at left rear of building and is 18” higher than street level. Access to backstage is through two 10’ roll-up doors. Distance from dock to stage is approximately 30’.
